TOKYO TALES II
You shut your eyes, you open your eyes. Yes, she's still there. Very much so. If you see the Statue of Liberty in Tokyo, you are not hallucinating. She lords over the Tokyo Bay. The smaller replica of the US Liberty lady made her first appearance in the Year of the French in end 1990s. Presumably she was supposed to be a temporary guest, but popular demand turned her into a permanent fixture. Beyond her lies the Rainbow Bridge and for some reason I feel she should have completely dwarfed it. A niggling feeling, something like when you are a guest at someone's house and an askew picture on the wall drives you nuts with the itch to straighten it. Then I realise that the Liberty lady in USA is responsible for the distorted visionary perception; you feel that all ladies holding torches aloft should be humongous!
Thankfully, after the heavy rains the previous days, it a blue sky, sunny-ish day. The bay spreads all over and makes a pretty picture; the lady framed against a background of blue skies, blue waters, the Rainbow Bridge and some tall and towering buildings. Unfortunately, the earlier heavy rains have resulted in a gusty windy hangover and all sailing trips are suspended. Compensation comes in the form a candy store nearby.
Looking at the Liberty lady and what lies beyond her, it was hard to imagine that even in the 1850s Japan was one of the most isolated nations in the world. The hundreds of miles of water surrounding her physically isolated her, even from Asia, and the ruling Shoguns fought every bit of the way to keep her that way. Today I feel it is one of the most tourist friendly country. Whether you speak Japanese or not is irrelevant as is the colour of your skin or your passport cover.
As we looked down from the Tokyo Tower Main Observatory, the city could have looked like any super developed urban space, but for the open spread right below, dotted with quintessential Oriental sloping slate roofed structures and lots of landscaped greenery. Behind the biggest structure lies a graveyard, neat and well tended to. It is the Zojoji Temple, the head of the Jodo (Pure Land) section of Japanese Buddhism. Our friend, Masakazu Maeda San, who is graciously accompanying us for the day, tells us that is centuries old. Later Google God tells me that the original temple was built in 1393 and shifted to the present location in 1598, which means it is nearly 420 years old! But sadly, again as per Google God, that most of the current buildings are reconstructions barring the main gate, the Sangedatsumon which survived many fires, earthquakes and wars and dates from 1622. It must have been some Herculean task to rebuild the damaged temple over and over again. Is it any surprise that 'Gaman' a Japanese world of Zen Buddhist origin, connotes patience, endurance, perseverance, tolerance, self-control and self-denial. Somethings so intrinsic to Japan and Japanese. Insert two letters, h and d to read Ghamand and you have the Hindi word for arrogance!
At one section of the Observatory deck there is lots of excitement. Apparently some clouds have rolled by to reveal Mount Fujiyama. I convince myself that the flat top rise is the volcano that the Japanese revere so much. It is at its base that the Japanese gathers in hundreds and thousands to witness the sunrise on the first day of every year. As we move on there is a niche on the right side, a small prayer house. I don't know which Kami (deity)it was dedicated to but I dutifully followed the three-step instruction on the board that prescribed 'The Praying Etiquette' - bow twice deeply, clap your hands twice and bow once more and found all eyes on me. Clearly I was the only one to follow the prescribed etiquette. Well, what else do you expect a lady to do when it is a matter of etiquette?
The main gate of the Zojoji temple is stately as usual and so is the entire complex. But what is unique is the long stretch to the right of the main temple with rows of cemented small statues of children, each with red crochet hat and red bib with colourful windmill fronting them. These are 'the care guardian deities of children.' To quote verbatim,' they are dedicate for the safety growth of children and grandchildren, as well as for the memorial service of still birth or miscarried children'. The red hats are to keep their heads warm. That made me shiver. Children are supposed to be running around, playing and having a whale of a time and not represented by cold cement figurines whatever the overload of bright red props. That and the red and white Japanese Eiffel version of Tokyo Tower soaring up behind the main temple and, straight up in the distance from the cemented children deities made a strange picture. The very old, the very new, centuries old faiths and the communications and observation tower, Tokyo Tower all coming together. Looking at the tower, standing among the cemented children deities in an ancient temple complex, I momentarily thought that maybe that was the way to make it come full circle - the earth, the sky, the dead and the living. If that was not enough, there was a group of nine kids- I did a head count- being escorted around the temple complex by two teachers. I would really like to know what they were told about the children deities in red crochet hats.
The husband and I had been differing a little on going to Asakusa. I had been trying to convince him that he simply couldn't give a go by. But he felt that going to see one more shrine made no sense, even if it was Sensoji shrine, one of the oldest in Japan. All my spiels that beyond it lay an older, quieter and above all, less touristy section of Tokyo didn't seem to sway him. After the Zojoji temple visit, our friend Maeda San said and now to Asakusa and that was that. Men!
Sensoji shrine is a mixed bag because of the throng of tourists and locals. Built in 628 (yes three digits only) it is an imposing shrine literally towering with five pagodas and almost flamboyant with the typical orange-red colour usually associated with oriental holy places. That was my first tourist destination in 2005 and the rush of people on a hot July afternoon had become tiring after sometime. There is no lessening of the intensity this time too, it is packed to the gills. The very touristy facet is also evident right at the road leading to the temple packed with souvenir shops and eateries. That however, cannot in anyway subtract from the beauty of the temple complex, especially the little secluded corners with statues of Buddha and presumably religious symbols. There are the usual youngsters attired in traditional garbs looking for the right backgrounds for their photo shoots. Soon the buzz is infectious and putting aside the cynical tourist persona, we get caught up in the washing rituals and offering prayers. Besides, there was Unagi lunch to look forward to and explore the more charming side of Asakusa and its neighbourhood.
The charming side that I really want to check out was Kappabashi Dori, at the corner of Asakusa. Kappabashi is better known as the Kitchen Town and anything and everything related to the kitchen is available in multiple varieties, right down to life like plastic food. I didn't want much; I just wanted a Japanese knife. And I found one. What impressed me more than the amazing display, the layout, the mind boggling variety or anything else was the inscrutable expression of the the two gents manning the store. There wasn't any expression of any kind whatsoever, not even a fleeting one. Again nothing when our friend Maeda San introduced us as guests from India; they just bowed. For one moment I was quiet tempted to pick a knife randomly and walk out without paying just to see if there would be any reaction from them. Also very impressive was the way one them held a white sheet of paper and sliced it with the knife silently and in much less time than the blink of an eye. No expression again.
Kappabashi and its surrounding area is an interesting blend of commerce and some residence. That was, I think, the only place where I saw electric wires strung in a, what I thought, rather unsystematic manner for Japan. It made me feel good for some reason. For those into cooking and kitchen wares, Kappabashi can be both delightful and vexing. The first because you can go crazy in sheer delight and the latter because you know you have to be very very selective and you just keep on dithering. You finally pick a few pieces and barely five minutes later, you feel maybe it was the wrong choice and you should have gone for something else! Just maddening. Never mind, the knife will make up for it.
Have you ever walked the streets with a largish knife in your bag? Try it. For no rhyme or reason I wanted to tell the world about it!